Over the past 12 months, STLMade has featured regional staples ranging from Skate King to theWildey Theatre, profiling those who boost the local economy, including Tony’s Family Farms and Vega Transport, along the way. The three-year effort was started by regional representatives to highlight the stories of the people and businesses that make up the St. Louis region, and to help retain that talent. Leah Wilson, account director at Broughton Brand Company and fueler of the STLMade movement, joins host Sarah Fenske to reflect on the initiative's past year and plans to expand that unified message of pride to other areas of the country.
The summer slide — the propensity for students to lose academic achievements made during the school year — is something educators have expressed concern about for years. With the region’s schools being closed until at least early April due to the COVID-19 outbreak, teachers and administrators are working hard to make sure such a slide doesn’t happen this spring as well. In this episode, Sarah Fenske talks with St. Louis Public Radio’s education reporter, Ryan Delaney, about how K-12 schools are responding to coronavirus social distancing measures. Gary Ritter, dean of St. Louis University’s School of Education, also joins the conversation to discuss how teachers and parents can best prepare kids for virtual learning.
The year 1920 was a pivotal one for the Lemp family in St. Louis, and not just because of the enforcement of Prohibition. One hundred years ago this week, the front page of the St. Louis Post-Dispatch proclaimed that Elsa Lemp Wright — then part of a local beer dynasty that had long rivaled Anheuser-Busch — had taken her own life. “This is the Lemp family for you,” her brother William Lemp Jr. said at the scene of her death. But was that really what happened? Local filmmaker Franki Cambeletta explores this question in his soon-to-be-released documentary from Shift Films, “Lemp’s Last Wright.” In this segment, host Sarah Fenske talks with Cambeletta about the project, which represents the culmination of many years of interest and research into Lemp Wright’s life.
Today’s college campuses are in many ways designed to be like small cities, featuring places to shop, eat and live daily life as well as learn and teach. And in the age of coronavirus, those campuses are facing major concerns and questions not unlike those that municipal leaders are grappling with. The University of Missouri-St. Louis’ Jessica Long-Pease is one of the people working closely with UMSL’s on-campus students and staff in this uncertain time. She’s the director of the Millennium Student Center and the Office of Student Life, both of which are normally buzzing with people.
Paige Alyssa Hegwood is back — in St. Louis and in music. After spending some time in Los Angeles and doing some soul searching, the singer-songwriter is now expressing that growth both musically and individually. Through up-tempo pop and vibrant vocals, Paige Alyssa is releasing music on their own terms for the first time in two years with their new single, “What’s the Move,” which features mixing and mastering by Shock City’s Sam Maul. Paige Alyssa joins host Sarah Fenske to talk about their time in Los Angeles, how they overcame artistic struggles and what new music they have in store.
Rebecca Messbarger is a cultural historian of medicine, as well as a professor of Italian at Washington University. There, she teaches a class called Disease, Madness and Death — Italian Style. She begins the course by discussing the classic Italian novel “The Decameron.” Written in 1353, Giovanni Boccaccio’s work is framed by a story of medieval social distancing during the bubonic plague. Messbarger never imagined that it would be so relevant to today’s time. She joins host Sarah Fenske to talk about social distancing — both how it provided the framing device for “The Decameron" and was also at the root of St. Louis health commissioner Max Starkloff’s approach to the 1918 influenza pandemic.
St. Louis has an abundance of unique culinary creations that locals don’t care to convince outsiders to embrace: one being a St. Paul sandwich. It’s an egg patty topped with lettuce, tomato and pickles, and held together by white bread smothered in mayo. Regional eaters can now find variations of the sandwich that include pork belly, ham or shrimp. Sauce Magazine’s Matt Sorrell recently delved into how exactly the cult favorite was created. Sorrell joins host Sarah Fenske to talk about the sandwich’s rise to fame as a St. Louis classic. Also joining the discussion are Ben Welch, the Midwestern executive chef who’s been eating St. Pauls since he was a kid, and Kristin Liu, whose family owned Chinese Gourmet Restaurant in Florissant from 1984 until it closed in 2017.
According to Rebecca Lester, the author of “Famished: Eating Disorders and Failed Care in America,” eating disorders are among the most misunderstood medical conditions. For instance, she says there is an assumption that eating disorders are mostly a problem for upper-middle-class white girls. While that’s not completely untrue, it’s just a sliver of the story. In “Famished,” Lester looks closely at the impact of common misconceptions, as well as the way the health care system fails to treat these disorders.
Schools are closed. Libraries are closed. Many restaurants have closed — with more almost certainly on the way. Health officials say all of those measures are essential, as the ongoing spread of coronavirus has led to best practices of “social distancing.” But in addition to COVID-19, the coronavirus has also spread widespread angst. People are worried about their jobs and their families, even as they confront a seemingly endless cascade of worrying headlines. In this episode of the talk show, listeners share their ideas for de-stressing in a stressful time, along with two experts: Tony Buchanan, a professor of psychology at St. Louis University and co-director of its neuroscience program, and Dr. Jessi Gold, an assistant professor in Washington University’s Department of Psychiatry.
There is a lot of anxiety swirling right now over the new coronavirus. There’s also a lot of misinformation. In this interview, Sarah Fenske talks with infectious disease physician Dr. Alexis Elward to help set the record straight and answer listener questions and concerns.
One day after regional leaders announced broad new rules to limit gatherings in the St. Louis area to 50 people or fewer, St. Louis Mayor Lyda Krewson stressed their importance in “flattening the curve” of infections caused by the coronavirus across the U.S. Krewson stressed that while restaurants and bars are still open, they are subject to the 50-person limit at any point in time. They are also recommending that eateries move tables and other furniture so there is a six-foot space between diners. In this episode, Krewson also addresses restaurateurs’ questions about whether the region will follow the lead of Illinois and Ohio and shut down on-site dining.
St. Louis Public Radio's Metro East reporter Eric Schmid details Illinois Gov. J.B. Pritzker's big steps to slow the spread of coronavirus ahead of the state's primary election.
It’s been a tough decade for the media business, particularly for outlets focused on disseminating the written word. Publications have closed across the U.S. Many newspapers no longer offer daily editions. And many of the online news outlets vying to replace (or at least supplement) them have seen layoffs of their own. But despite a host of challenges to the advertising-based business model, St. Louis finds itself with a surprisingly robust print-media landscape. In this segment we discuss St. Louis’ media history and the current media landscape with Frank Absher, a radio veteran and the executive director of the St. Louis Media History Foundation; Gilbert Bailon, the editor of the St. Louis Post-Dispatch; longtime local writer Jeannette Cooperman, who is an inductee in this year’s St. Louis Media Hall of Fame; and Antonio French, a former alderman and mayoral candidate who became adept at using Twitter and Vine to chronicle the Ferguson protests in real time. French also recently started a pair of weekly newspapers.
314 Day is this Saturday, and that means St. Louisans near and far are gearing up to show up and out for their city. The local holiday began as an informal celebration by residents — particularly in the black community. Within that community, people often gather for block parties, neighborhood barbecues and club events when the last numbers of their zip code or street number correspond with a date on the calendar. A day named for St. Louis’ main area code was a natural way to take the party city-wide. St. Louis natives Ryan Escobar, Tenelle Winmore and Sierra Brown are hosting their biggest 314 Day celebration yet. Called “STL Exchange,” the party will take place at the Contemporary Art Museum. Escobar and Winmore join host Sarah Fenske to share what makes them St. Louis-proud, preview the event and discuss how they hope to create a more united city.
Across the metro area, residents of both Missouri and Illinois should start expecting a letter in their mailboxes that only makes its appearance once every 10 years. Forms for the 2020 census are expected to begin to arrive March 12. Host Sarah Fenske delves into why filling out the census is important, what’s different on this year’s form, and how the coronavirus pandemic could affect population counts. Joining the discussion to answer questions about the process and address potential concerns is Alex Rankin. She is Missouri Foundation of Health's interim director of health policy and is running the organization’s efforts to promote the 2020 census.
Vocal performance students at the University of Missouri-St. Louis have tackled some classic operatic works over the past decade through UMSL Opera Theatre, an ensemble led by faculty member Stella Markou. In 2011 UMSL Opera Theatre presented “The Marriage of Figaro,” and two years ago the group’s “Pirates of Penzance” tied for first place in a National Opera Association production competition. But this weekend the student performers are showcasing a more contemporary work at the campus’ Touhill Performing Arts Center. Titled “The Clever Artifice of Harriet and Margaret,” it’s a one-act chamber opera from composer Leanna Kirchoff that’s been described as a “cat-and-mouse conversation between two rivals.” In this segment, host Sarah Fenske gets a preview of the show from Markou, who is an associate professor of music and the director of vocal studies at UMSL. The conversation also includes upperclassman Lexi Neal, who has a leading role in the production. In addition to the on-air discussion, this segment features highlights from a recent rehearsal by the cast.
A new show opens at the Pulitzer this weekend. It’s a retrospective of artist Terry Adkins, who took inspiration from musical instruments, underappreciated historical figures — and the blues. Stephanie Weissberg joins host Sarah Fenske to discuss the Pulitzer show, “Terry Adkins: Resounding,” which opens this Friday. Weissberg is the associate curator at the Pulitzer Arts Foundation.
It’s Saturday night at Bissell Mansion, a nearly 200-year-old home overlooking Interstate 70 in north St. Louis. Dozens of people have gathered together to enjoy a meal — and a murder mystery. Over the course of the evening, dinner theater actors Linda Spall and Charles Huevelman put on a raucous show, “Phantom of the Grand Ole Opry,” in which Spall plays two characters, Tammy Whino and Dolly Pardon, and Huevelman portrays a very drunk Kenny Rogeers. The rest of the cast has been drafted from among audience members, who were each assigned a role as they arrived and provided with a partial script outlining that particular part in the story. By the time salads have been served, one of the characters has been murdered, and it’s up to a wild bunch of country stars to apprehend the killer. The whole scene is one that’s been a fixture at Bissell Mansion for more than three decades and continues to draw a crowd. In this conversation, longtime murder mystery actor John Vullo joins host Sarah Fenske to talk about the goings-on at Bissell and provide a closer look at what it is that keeps diners returning there for more comedic mayhem.
Local businesses and workers could both be impacted by the coronavirus, even if no one on the payroll actually contracts COVID-19. So how are business owners seeking to make sense of these uncertain times? What are universities doing to protect their students, staff and faculty? In this episode, we discuss the potential impact of coronavirus fears — and the likely increase in COVID-19 cases — on the St. Louis region.
Modern American Dance Academy’s new show “Resilience” is not what you might picture when you consider a dance performance. The MADCO show features four pieces, each touching on a type of trauma — everything from losing a child to the loss of one’s sanity — with a focus on battling adversity through movement. Possibly the most unique aspect of the show is that the dancing won’t end after the official performances are through. After the last ticketed show, MADCO’s education director, Darrell Hyche II, will spend the next year bringing related programming to under-served schools in the area, with the hope of giving the kids the tools they need to deal with anger, familial conflict, trauma and more. In this episode, we hear from Hyche as well as MADCO’s interim director, Belicia Beck.
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