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MTT Conducts Beethoven’s Ninth with the SFS

1 year 11 months ago
The late Bay Area composer, academic, and arts leader Olly Wilson drew from his vast knowledge of African and African-American art forms and genres, as well as standard conservatory fare, to create his own musical language, transforming field research into felt experience. Inspired by the Yoruban god of thunder and lightning, Shango Memory uses a post-bop jazz idiom to rewrite the tropes of European modernism. Wilson's style is informed but not dictated by his extensive ethnomusicological studies in West Africa. Like Beethoven's Ninth, Shango Memory marshals the elements to approach the divine. Ancestor worship—re-imagined as an alternative, Africanized canon—becomes a force for collective liberation. Like many young men of his time and place, Beethoven was deeply moved by Friedrich Schiller's "An die Freude." In the decades that transpired before he set Schiller's heady verses to the tune we can all hum in our sleep, Beethoven witnessed the degradation of his Enlightenment-inspired ideals. The Age of Reason devolved into the Age of Metternich. In 1824, when ordinary Austrians could be arrested for saying the word "freedom" or gathering in unrelated groups, resurrecting Schiller's humanist anthem was downright subversive. Almost two centuries later, the Ninth's message retains its urgent relevance: music as the source and full expression of a radical—even revolutionary—communal joy.
René Spencer Saller

California Bans ‘Excited Delirium’ As A Cause Of Death

1 year 11 months ago
Excited delirium is a very unique medical condition. It almost always kills its victims. The victims of this apparent sudden cause of death are almost always in the presence of police officers when they die. And the victims are almost always of a certain… type. A 2021 data analysis found that at least 56% of […]
Tim Cushing