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LA sheriff ducks journalist’s request for deputy photographs
Award-winning journalist Cerise Castle has some history with the Los Angeles County Sheriff’s Department. In 2021, she chronicled how deputies formed violent gangs within the department. She then turned “A Tradition of Violence,” her 15-part series for Knock LA, into a podcast by the same name.
Perhaps that’s why the department was spooked when Castle submitted a Public Records Act request for names and official ID photographs of all sworn personnel, “excluding those in undercover assignments.” Or maybe the department was merely committed to following its routine practice of delaying and denying records requests.
In any case, the department produced the names of about 8,500 deputies but refused to produce any photographs except of the sheriff and his undersheriffs. They claimed that producing photographs of the deputies would violate their right to privacy and might endanger them in the future, if they ever go undercover.
But the department’s rationale seemed suspect because it also refused to comply with separate requests for headshots of three deputies who have been convicted of serious felonies, fired, and obviously won’t be sent on any future undercover operations for the department.
Castle won her Los Angeles County Superior Court Public Records Act lawsuit in July, and the court ordered the department to release the deputy ID photographs. But now the county is appealing. Its objection to allowing the public to identify law enforcement officers is especially striking when Angelenos and others across the country are outraged by unidentified, masked federal immigration officers abducting their neighbors.
The timing is also particularly odd after the California Legislature just enacted Sen. Scott Wiener’s new law, the No Secret Police Act, barring law enforcement officers operating in the state from masking their faces when working in public, beginning on Jan. 1, 2026.
We spoke to Castle’s lawyer, Susan Seager, to learn more about the case and her client’s opposition to the county’s appeal.
What is the county’s basis for its opposition to producing pictures of law enforcement officers who operate in public and serve the public at the public’s expense?
They claim that no deputy will ever work undercover again because if a deputy’s photo is posted online, and if that deputy works undercover in the future, and if a “criminal” uses facial recognition technology, then that future undercover deputy will be recognized by criminals. But the court rejected this argument because it’s all speculation. Los Angeles Superior Court Judge James Chalfant followed decisions by the California Supreme Court, such as Commission on Peace Officer Certification Standards and Training v. Superior Court, which held that ordinary police officers don’t have a right to privacy in their identities and mere “speculation” about safety risks to the general police force is not enough to block disclosure of public records containing individual police officers’ identities.
The top brass at the LA Sheriff’s Department don’t want their deputies to be accountable to the public they serve. The Sheriff’s Department fights all Public Records Act cases. It’s a knee-jerk reaction.
Susan SeagerHave similar arguments been rejected by the courts before?
No. As far as I know, this is the first case where a court decided that official police department officer ID photos are disclosable under the Public Records Act. The city of LA and city of Santa Ana both voluntarily gave journalist Ben Camacho official police officer ID photos in response to his Public Records Act legal actions, but they did so before a court ruled on his request. The LAPD photos are now online for public use at Watch the Watchers.
It seems notable that LA County is pursuing this appeal so soon after the city of Los Angeles wasted its time and the taxpayers’ money, and embarrassed itself in the Camacho case. Why is the county repeating the city’s mistakes?
The problem is that both the Los Angeles County Board of Supervisors and the Los Angeles City Council appear to be very hands-off on the litigation against them, including cases involving their sheriff’s department and police department, respectively. The elected officials seem to let their lawyers make all the decisions on litigation strategies, appeals, etc., without asking for any updates or to be involved in any decisions to appeal in cases against the government agencies. LA’s elected officials need to take more control over litigation involving their police officers. They need to stop wasting taxpayer money fighting Public Records Act cases like this, especially after a superior court orders the police agency to release the records.
Many people in Los Angeles and around the country have been outraged in recent months by Immigration and Customs Enforcement agents wearing masks, and other efforts by the Trump administration to discourage and even criminalize identifying law enforcement officers. What do you make of LA County litigating the right to keep deputies’ identities secret against that backdrop?
LA deputies probably wish they could wear masks as well. And the top brass at the LA Sheriff’s Department don’t want their deputies to be accountable to the public they serve. The Sheriff’s Department fights all Public Records Act cases. It’s a knee-jerk reaction. And the lawyers hired by the county don’t care about public accountability — they are hired to fight and win.
What’s your theory about why the county is pursuing this? Where is the pressure coming from? Do they seriously believe that this is a meritorious appeal that they have a real chance of winning? Or do they just not care because taxpayers are funding it?
This is typical for the county of Los Angeles and the Los Angeles Sheriff’s Department. They fight all Public Records Act cases. In this case, there is extra pressure coming from the labor unions representing the deputies. The deputies’ labor unions actually joined in the case as intervenors, so we are fighting against the county and the labor unions.
If journalists are not able to obtain photos of law enforcement officers through public records requests, what kind of reporting will the public lose out on?
In the age of everyone carrying a smartphone and filming police, and posting images of police on social media or news sites, the public and the press can use those images to identify officers and investigate their past history. There may be instances where deputies use excessive force or threaten members of the public, but the victim doesn’t know the name of the deputy. Photographs help identify officers.
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Littering Scumbag
Public records are for the public
Dear Friend of Press Freedom,
It’s been 220 days since Rümeysa Öztürk was arrested for co-writing an op-ed the government didn’t like. Read on for news from California, Washington D.C. and Maryland as the government shutdown drags on.
Public records are for the public
When Wired made public records-based stories free, subscriptions went up.
When 404 Media published reporting that relied on the Freedom of Information Act without a paywall, new sources came forward.
Freedom of the Press Foundation (FPF) spoke to Wired Global Editorial Director and FPF board member Katie Drummond and 404 Media co-founder Joseph Cox about why giving the public access to public records reporting is good for journalism — and for business. Read more here.
Shutting down the government doesn’t shut down the First Amendment
It’s absurd and unconstitutional to exclude reporters from immigration hearings unless they get government permission to attend, especially when it’s impossible to obtain permission due to the government shutdown, and particularly when the current government despises First Amendment freedoms and will use any opportunity to evade transparency.
And yet that’s exactly what an immigration court in Maryland did this week. We wrote a detailed letter to the top judge at the courthouse explaining why they need to reverse course, both to comply with the law and for the sake of democracy. The next day, Capital News Service reported that the court had backed down and lifted the ban. Read the letter here.
No secret police in LA
Award-winning journalist Cerise Castle sued Los Angeles County in July and obtained a court order for the department to release the sheriff’s deputy ID photographs.
But now the county is appealing. Its objection to allowing the public to identify law enforcement officers is especially striking when Angelenos and others across the country are outraged by unidentified, masked federal immigration officers abducting their neighbors. It also comes on the heels of the city of Los Angeles embarrassing itself with its failed effort to sue a journalist for publishing officer photographs.
We connected with Castle’s lawyer, Susan Seager, to try to figure out what the department is thinking. Read more here.
Top three questions about the White House ballroom
FPF’s Daniel Ellsberg Chair on Government Secrecy Lauren Harper has lots of questions about the demolition of a section of the White House to construct a ballroom.
She wrote about three of them for our government secrecy site, The Classifieds: (1) Is there a budget? (2) Who are the donors, and what do they get in return? and (3) Where should we look for answers about what’s going on at the East Wing? Read more here.
What we're reading U.S. assessment of Israeli shooting of journalist divided American officials The New York TimesA retired U.S. colonel has gone public with his concern that the Biden administration’s findings about the 2022 killing of Palestinian-American journalist Shireen Abu Akleh by the Israeli military were “soft-pedaled to appease Israel.” There has been “a miscarriage of justice,” he says.
ICE detains British journalist after criticism of Israel on US tour The GuardianThe detention of Sami Hamdi by U.S. Immigration and Customs Enforcement solely for his views while on a speaking tour in the U.S. is a blatant assault on free speech. These are the tactics of the thought police.
Trump and Leavitt watch with glee as the press is crumbling Salon“As the press becomes more subservient and less independent, the firsthand knowledge needed to even stage a fight to get our mojo back is a whisper in the ether,” writes Brian Karem. That’s why veteran journalists who know how abnormal this all is need to be extra vocal these days.
One third of all journalists are creator journalists, new report finds PoynterIt’s no time for gatekeeping. There aren’t enough traditional J-School trained journalists to adequately document every ICE abduction – let alone everything else going on. We appreciate everyone who is exercising their press freedom rights, no matter how they’re categorized.
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Happy Hour at Tin Roof
Join us for Happy Hour every Monday -Friday from 2 pm to 6 pm! Enjoy 5 food items for just $5 each with $3 Domestic Bottles, $3 Wells, $4 Special […]
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